Books for beginning fiction writers
Discover the best books for beginning fiction writers! Explore our curated list of essential reads to master storytelling, character development, and writing techniques for aspiring authors.
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Elements of Fiction Writing - Characters & Viewpoint
by Orson Scott Card
Vivid and memorable characters aren't born: they have to be made. &break;&break;This book is a set of tools: literary crowbars, chisels, mallets, pliers and tongs. Use them to pry, chip, yank and sift good characters out of the place where they live in your memory, your imagination and your soul. &break;&break;Award-winning author Orson Scott Card explains in depth the techniques of inventing, developing and presenting characters, plus handling viewpoint in novels and short stories. With specific examples, he spells out your narrative options–the choices you'll make in creating fictional people so "real" that readers will feel they know them like members of their own families. &break;&break;You'll learn how to: &break; draw the characters from a variety of sources, including a story's basic idea, real life–even a character's social circumstances&break; make characters show who they are by the things they do and say, and by their individual "style"&break; develop characters readers will love–or love to hate&break; distinguish among major characters, minor characters and walk-ons, and develop each one appropriately&break; choose the most effective viewpoint to reveal the characters and move the storytelling&break; decide how deeply you should explore your characters' thoughts, emotions and attitudes
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Story
by Robert McKee
Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.
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Elements of Fiction Writing - Conflict, Action & Suspense
by William Noble
What makes a book a page-turner? How do you grab your readers right from the start and hold them through the last sentence? How do you make your plot twist and turn and keep the action moving without losing continuity? You do it by generating drama and developing it using conflict, action and suspense. You make your reader burn to know what's going to happen next. You create tension...and build it...to the breaking point. William Noble shows you how to intensify that pressure throughout your story. You'll learn exactly what constitutes conflict, action and suspense, how they relate to other important ingredients in your story, and - perhaps most important - how to manipulate them. Through thorough, step-by-step instruction, you'll learn how to... set the stage with techniques and devices that enhance drama introduce suspense from the very beginning of your story build suspense through cliff-hangers, dialogue, mood, character development, point of view, subtlety and indirection, and time and place bring all that conflict, action and suspense to a gripping conclusion There are all sorts of ways to create tension in your prose - from using adjectives and nouns that drip with imagery to making quick scene cuts and transitions to accelerating the pace. Learn them here. Then use them, and your story will plunge your readers into a river of worry...and the current will carry them to The End.
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Creating Short Fiction
by Damon Knight
Distilled from decades of teaching and practice, 'Creating Short Fiction' offers no-nonsense advise on structure, pacing, dialogue, getting ideas, and much more.
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Handbook of Short Story Writing
by Frank A. Dickson
Here's a collection of the most helpful articles from WRITER'S DIGEST magazine covering every aspect of short story writing. Every writer, from beginner to professional, will find guidance, encouragement, and answers to such concerns as how to make characters believable, developing dialogue, writer's block, viewpoint, the all-important use of conflict, and much more.
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Random House Word Menu
by Stephen Glazier
Lists and defines words and terms in over seven hundred subject areas including nature, science and technology, domestic life, arts, language, and institutions.
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Elements of Fiction Writing - Plot
by Ansen Dibell
"There are ways to create, fix, steer and discover plots—ways which, over a writing life, you'd eventually puzzle out for yourself," writes Ansen Dibell. "They aren't laws. They're an array of choices, things to try, once you've put a name to the particular problem you're facing now." That's what this book is about: identifying those choices (whose viewpoint? stop and explain now, or wait? how can this lead to that?), then learning what narrative problems they are apt to create and how to choose an effective strategy for solving them. The result? Strong, solid stories and novels that move. Inside you'll discover how to: test a story idea (using four simple questions) to see if it works convince your reader that not only is something happening, but that something's going to happen and it all matters intensely handle viewpoint shifts, flashbacks, and other radical jumps in your storyline weave plots with subplots get ready for and write your Big Scenes balance scene and summary narration to produce good pacing handle the extremes of melodrama by "faking out" your readers—making them watch your right hand while your left hand is doing something sneaky form subtle patterns with mirror characters and echoing incidents choose the best type of ending—linear or circular, happy or downbeat, or (with caution!) a trick ending Whether your fiction is short or long, subtle or direct, you'll learn to build strong plots that drive compelling, unforgettable stories your readers will love.
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Self-Editing for Fiction Writers, Second Edition
by Renni Browne
Hundreds of books have been written on the art of writing. Here at last is a book by two professional editors to teach writers the techniques of the editing trade that turn promising manuscripts into published novels and short stories. In this completely revised and updated second edition, Renni Browne and Dave King teach you, the writer, how to apply the editing techniques they have developed to your own work. Chapters on dialogue, exposition, point of view, interior monologue, and other techniques take you through the same processes an expert editor would go through to perfect your manuscript. Each point is illustrated with examples, many drawn from the hundreds of books Browne and King have edited.
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The Elements of Style
by William Strunk
Presents a concise style manual that provides the basic elementary principles of English usage and composition, with tips on commonly misused words and expressions, style, and spelling.
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The Writer’s Digest Sourcebook for Building Believable Characters
by Marc McCutcheon
Six novelists reveal their approaches to characterization in this guide, which comes with a questionnaire to help writers probe their characters' backgrounds, beliefs, and desires and a "thesaurus" of physical and psychological traits to aid in character development.
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Writing to Sell
by Scott Meredith
With this guide, writers can learn how to create good fiction and publish profitably, guided by the timeless advice of the man who built the legendary literary agency that still bears his name. Includes information on creating characters, plotting a novel, formatting the manuscript, deciphering a publishing contract, and more.
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Stein On Writing
by Sol Stein
Professional secrets from a renowned editor, prize-winning author, and award-winning instructor make this book the #1 practical choice for fiction and nonfiction writers of all levels of experience.
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Setting
by Jack M. Bickham
Even if you have great characters, outstanding dialogue and a gripping plot, your story isn't complete without the appropriate setting. Setting is the unifying element in most fiction, working in concert with plot, characterization and point of view. Here you'll explore how to use setting as the basis for creating dramatic, engaging stories. Focusing on detail, language and observation, Jack Bickham's invaluable instruction will not only improve your ability to create a strong setting, but also enhance your writing skills as a whole. You'll learn:- the function of setting within the fiction writing process- how setting works with plot, characterization and point of view- the effect of setting on unity- ways to generate story ideas through setting- techniques for creating setting- how to use setting as a thematic device- methods for using setting to stimulate your reader's senses- how to incorporate factual information for texture and authenticity- exercises for improving your powers of observation- tips for recording ideas, events and descriptions using notebook entriesOver the course of his esteemed career, Jack Bickham published more than 80 novels and instructional books, including Writing Novels That Sell and the 38 Most Common Fiction Writing Mistakes (and How to Avoid Them). A former creative writing professor, he instructed thousands of writers through his classes, seminars and Writer's Digest magazine articles.