Books I read in High School Part 2: Senior year

Explore the must-read books from my senior year in high school! Discover classic and contemporary literature that shaped my final year. Get inspired for your reading list!

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The Tragedy of Hamlet, Prince of Denmark Cover
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The Tragedy of Hamlet, Prince of Denmark

by William Shakespeare

After seeing the ghost of his murdered father, Hamlet realizes that his new stepfather was the killer and plots revenge and ponders the value of life.
She Stoops to Conquer Cover
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She Stoops to Conquer

by Oliver Goldsmith

Charming satire concerns a young lady who poses as a serving girl to win the heart of a young gentleman too shy to court ladies of his own class. Notes. "
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Jane Eyre Cover
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Jane Eyre

by Charlotte Brontë

An orphan girl who accepts employment as a governess finds herself involved in a family secret and in love with her employer.
Wide Sargasso Sea Cover
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Wide Sargasso Sea

by Jean Rhys

"A considerable tour de force by any standard." ?New York Times Book Review"
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Beloved Cover
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Beloved

by Toni Morrison

Sethe. Proud and beautiful, she escaped from slavery but is haunted by its heritage - from the fires of the flesh to the heartbreaking challenges to the spirit.
The tragedy of King Lear Cover
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The tragedy of King Lear

 

No summary available.
Invisible Man Cover
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Invisible Man

by Ralph Ellison

NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be. One of The Atlantic’s Great American Novels of the Past 100 Years He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion. Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for sixteen weeks and established Ralph Ellison as one of the key writers of the century. The book is a passionate and witty tour de force of style, strongly influenced by T.S. Eliot's The Waste Land, James Joyce, and Dostoevsky.
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ID: 0140481877
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M. Butterfly Cover
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M. Butterfly

 

No summary available.
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The Metamorphosis Cover
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The Metamorphosis

by Franz Kafka

“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.” With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, “Kafka is important to us because his predicament is the predicament of modern man.”
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ID: 0486292681
(Type: books)
Catch-22 Cover
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Catch-22

by Joseph Heller

Catch-22 is like no other novel. It is one of the funniest books ever written, a keystone work in American literature, and even added a new term to the dictionary. At the heart of Catch-22 resides the incomparable, malingering bombardier, Yossarian, a hero endlessly inventive in his schemes to save his skin from the horrible chances of war. His efforts are perfectly understandable because as he furiously scrambles, thousands of people he hasn't even met are trying to kill him. His problem is Colonel Cathcart, who keeps raising the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempts to excuse himself from the perilous missions that he is committed to flying, he is trapped by the Great Loyalty Oath Crusade, the hilariously sinister bureaucratic rule from which the book takes its title: a man is considered insane if he willingly continues to fly dangerous combat missions, but if he makes the necessary formal request to be relieved of such missions, the very act of making the request proves that he is sane and therefore ineligible to be relieved. Catch-22 is a microcosm of the twentieth-century world as it might look to some one dangerously sane -- a masterpiece of our time.
The Red Badge of Courage Cover
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The Red Badge of Courage

by Stephen Crane

The classic story of a sensitive boy under the strain of war moving from cowardice to courage.
The Sun Also Rises Cover
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The Sun Also Rises

by Ernest Hemingway

A group of expatriates travel from Paris to the Pamplona bullfights.
Awakening Cover
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Awakening

by Kate Chopin

"She grew daring and reckless. Overestimating her strength. She wanted to swim far out. Where no woman had swum before."
Rosencrantz & Guildenstern are Dead Cover
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Rosencrantz & Guildenstern are Dead

by Tom Stoppard

Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm's-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare's play. In Tom Stoppard's best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967. Its subsequent run in New York brought it the same enthusiastic acclaim, and the play has since been performed numerous times in the major theatrical centers of the world. It has won top honors for play and playwright in a poll of London Theater critics, and in its printed form it was chosen one of the "Notable Books of 1967" by the American Library Association.
The Turn of the Screw Cover
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The Turn of the Screw

by Henry James

Widely recognized as one of literature's most gripping ghost stories, this classic tale of moral degradation concerns the sinister transformation of two innocent children into flagrant liars and hypocrites. The story begins when a governess arrives at an English country estate to look after Miles, aged ten, and Flora, eight. At first, everything appears normal but then events gradually begin to weave a spell of psychological terror. One night a ghost appears before the governess. It is the dead lover of Miss Jessel, the former governess. Later, the ghost of Miss Jessel herself appears before the governess and the little girl. Moreover, both the governess and the housekeeper suspect that the two spirits have appeared to the boy in private. The children, however, adamantly refuse to acknowledge the presence of the two spirits, in spite of indications that there is some sort of evil communication going on between the children and the ghosts. Without resorting to clattering chains, demonic noises, and other melodramatic techniques, this elegantly told tale succeeds in creating an atmosphere of tingling suspense and unspoken horror matched by few other books in the genre. Known for his probing psychological novels dealing with the upper classes, James in this story tried his hand at the occult — and created a masterpiece of the supernatural that has frightened and delighted readers for nearly a century.