Classic Gothic Horror
Explore the chilling world of Classic Gothic Horror with our curated list of timeless books. Dive into dark tales of mystery, suspense, and the supernatural from legendary authors.
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Dracula
by Bram Stoker
This Norton Critical Edition presents fully annotated the text of the 1897 First Edition.
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The Castle of Otranto
by Horace Walpole
First published pseudonymously in 1764, The Castle of Otranto purported to be a translation of an Italian story of the time of the crusades. In it Walpole attempted, as he declared in the Preface to the second edition, `to blend the two kinds of romance: the ancient and the modern'. He gives us a series of catastrophes, ghostly interventions, revelations of identity, and exciting contests. Crammed with invention, entertainment, terror, and pathos, the novel was an immediate success and Walpole's own favourite among his numerous works. His friend, the poet Thomas Gray, wrote that he and his family, having read Otranto, were now `afraid to go to bed o'nights'. The novel is here reprinted from a text of 1798, the last that Walpole himself prepared for the press.
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Frankenstein
by Mary Shelley
The world’s most famous work of horror fiction: a devastating exploration of the limits of human creativity. Nominated as one of America’s best-loved novels by PBS’s The Great American Read Mary Shelley's timeless gothic novel presents the epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror. Based on the third edition of 1831, this Penguin Classics edition, with an introduction and notes by Maurice Hindle, contains all the revisions Mary Shelley made to her story, as well as her 1831 introduction and Percy Bysshe Shelley’s preface to the first edition. It also includes as appendices a select collation of the texts of 1818 and 1831 together with "A Fragment" by Lord Byron and Dr John Polidori’s "The Vampyre: A Tale." For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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The Monk
by Matthew Gregory Lewis
`The Monk was so highly popular that it seemed to create an epoch in our literature', wrote Sir Walter Scott. Set in the sinister monastery of the Capuchins in Madrid, The Monk is a violent tale of ambition, murder, and incest. The great struggle between maintaining monastic vows and fulfilling personal ambitions leads its main character, the monk Ambrosio, to temptation and the breaking of his vows, then to sexual obsession and rape, and finally to murder in order to conceal his guilt. Inspired by German horror romanticism and the work of Ann Radcliffe, Lewis produced his masterpiece at the age of nineteen. It contains many typical Gothic elements - seduction in a monastery, lustful monks, evil Abbesses, bandits and beautiful heroines. But, as the Introduction to this new edition shows, Lewis also played with convention, ranging from gruesome realism to social comedy, and even parodied the genre in which he was writing.
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Carmilla
by Joseph Sheridan Le Fanu
Living a lonely existence in a remote schloss in Styria, on the border of Austria and Hungary, Laura and her father play host to an unexpected guest, the beautiful young Carmilla. Her arrival is closely followed by an outbreak of unexplained deaths in the area, while the young women's growing friendship coincides with a series of nightmares and mysterious nocturnal visitations, and a gradual downward spiral in Laura's health.A chilling tale of the un-dead, Carmilla is a beautifully written example of the gothic genre. Believed to be the inspiration for Bram Stoker's gothic masterpiece 'Dracula', written over twenty years later, Carmilla stands out as an all-time horror classic.
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Strange Case of Dr. Jekyll and Mr. Hyde
by Robert Louis Stevenson
This Norton Critical Edition of Stevenson's enduringly popular and chilling tale is based on the 1886 First British Edition, the only edition set directly from Stevenson's manuscript and for which he read proofs. The text has been rigorously annotated for student readers and is accompanied by a textual appendix.
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The Turn of the Screw and The Aspern Papers
by Henry James
A literary historian develops a scheme to gain possession of love letters written by an American poet, and a governess tries to protect the two young children in her care from the ghosts she believes are haunting them.
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The Phantom Ship
by Frederick Marryat
Maritime legend holds that a spectral ship, The Flying Dutchman, haunts the seas around the Cape of Good Hope. Philip Vanderdecken's father is the captain of that ship, condemned to sail and torment sailors until the Day of Judgement. The 'Phantom Ship' is the tale of Philip Vanderdecken's search for his cursed father and the Dutchman's ghostly crew.
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Wuthering Heights
by Emily Bronte
One of English literature's classic masterpieces—a gripping novel of love, propriety, and tragedy. Nominated as one of America’s best-loved novels by PBS’s The Great American Read Emily Brontë's only novel endures as a work of tremendous and far-reaching influence. The Penguin Classics edition is the definitive version of the text, edited with an introduction by Pauline Nestor. Lockwood, the new tenant of Thrushcross Grange, situated on the bleak Yorkshire moors, is forced to seek shelter one night at Wuthering Heights, the home of his landlord. There he discovers the history of the tempestuous events that took place years before. What unfolds is the tale of the intense love between the gypsy foundling Heathcliff and Catherine Earnshaw. Catherine, forced to choose between passionate, tortured Heathcliff and gentle, well-bred Edgar Linton, surrendered to the expectations of her class. As Heathcliff's bitterness and vengeance at his betrayal is visited upon the next generation, their innocent heirs must struggle to escape the legacy of the past. In this edition, a new preface by Lucasta Miller, author of The Brontë Myth, looks at the ways in which the novel has been interpreted, from Charlotte Brontë onwards. This complements Pauline Nestor's introduction, which discusses changing critical receptions of the novel, as well as Emily Brontë's influences and background.
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