Creative Writing Necessities
Discover essential books for creative writing with our curated list of creative writing necessities. Elevate your craft with must-read guides and resources.
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Book
The Chicago Manual of Style
by University of Chicago. Press
Provides information on manuscript preparation, punctuation, spelling, quotations, captions, tables, abbreviations, references, bibliographies, notes, and indexes, with sections on journals and electronic media.
Book
The Deluxe Transitive Vampire
by Karen Elizabeth Gordon
Playful and practical, this is the style book you can't wait to use, a guide that addresses classic questions of English usage with wit and the blackest of humor. Black-and-white illustrations throughout.
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Book
The Marshall Plan for Novel Writing
by Evan Marshall
Imagine writing with the skill of a published author, the knowledge of a seasoned editor and the savvy of a New York literary agent....you'd have all the know-how it takes to transform your story idea into a novel worthy of praise and publication. In this unique guide, agent, editor and novelist Evan Marshall does give you everything it takes to write your novel. Drawing on his extensive experience, Marshall has perfected a simple and methodical approach to novel writing. His clear-cut, 16-step "Marshall Plan" breaks down the complex novel-writing process into a series of parts you put together one piece at a time. You'll have your whole story planned and plotted before you actually begin writing, so there's no chance of working yourself in a corner or making critical mistakes in pacing and plot. In short, The Marshall Plan for Novel Writing works. Use it, and watch your story masterfully develop into a completed manuscript ready to get the full attention of readers, agents and editors alike.
Book
The Marshall Plan Workbook
by Evan Marshall
The Marshall Plan Workbook, companion volume to the very successful Marshall Plan for Novel Writing, focuses on building a novel's plot, with more than 100 pages of fill-in sheets that become a veritable blueprint for each reader's novel. The Marshall Plan Workbook pushes deeper into the process of writing a novel scene by scene. Readers will learn to craft intriguing story goals and compelling conflicts all within a specific framework that enables them to produce any type of novel in a systematic yet creative way. They'll also learn the ins-and-outs of selling their work once it's finished. * Lively, interactive approach makes the book fun as well as educational * Easy-to-follow instruction takes the mystery--but not the creativity--out of writing a novel
Book
Elements of Fiction Writing - Characters & Viewpoint
by Orson Scott Card
Vivid and memorable characters aren't born: they have to be made. &break;&break;This book is a set of tools: literary crowbars, chisels, mallets, pliers and tongs. Use them to pry, chip, yank and sift good characters out of the place where they live in your memory, your imagination and your soul. &break;&break;Award-winning author Orson Scott Card explains in depth the techniques of inventing, developing and presenting characters, plus handling viewpoint in novels and short stories. With specific examples, he spells out your narrative options–the choices you'll make in creating fictional people so "real" that readers will feel they know them like members of their own families. &break;&break;You'll learn how to: &break; draw the characters from a variety of sources, including a story's basic idea, real life–even a character's social circumstances&break; make characters show who they are by the things they do and say, and by their individual "style"&break; develop characters readers will love–or love to hate&break; distinguish among major characters, minor characters and walk-ons, and develop each one appropriately&break; choose the most effective viewpoint to reveal the characters and move the storytelling&break; decide how deeply you should explore your characters' thoughts, emotions and attitudes
Book
Setting
by Jack M. Bickham
Even if you have great characters, outstanding dialogue and a gripping plot, your story isn't complete without the appropriate setting. Setting is the unifying element in most fiction, working in concert with plot, characterization and point of view. Here you'll explore how to use setting as the basis for creating dramatic, engaging stories. Focusing on detail, language and observation, Jack Bickham's invaluable instruction will not only improve your ability to create a strong setting, but also enhance your writing skills as a whole. You'll learn:- the function of setting within the fiction writing process- how setting works with plot, characterization and point of view- the effect of setting on unity- ways to generate story ideas through setting- techniques for creating setting- how to use setting as a thematic device- methods for using setting to stimulate your reader's senses- how to incorporate factual information for texture and authenticity- exercises for improving your powers of observation- tips for recording ideas, events and descriptions using notebook entriesOver the course of his esteemed career, Jack Bickham published more than 80 novels and instructional books, including Writing Novels That Sell and the 38 Most Common Fiction Writing Mistakes (and How to Avoid Them). A former creative writing professor, he instructed thousands of writers through his classes, seminars and Writer's Digest magazine articles.
Book
Elements of Fiction Writing - Plot
by Ansen Dibell
"There are ways to create, fix, steer and discover plots—ways which, over a writing life, you'd eventually puzzle out for yourself," writes Ansen Dibell. "They aren't laws. They're an array of choices, things to try, once you've put a name to the particular problem you're facing now." That's what this book is about: identifying those choices (whose viewpoint? stop and explain now, or wait? how can this lead to that?), then learning what narrative problems they are apt to create and how to choose an effective strategy for solving them. The result? Strong, solid stories and novels that move. Inside you'll discover how to: test a story idea (using four simple questions) to see if it works convince your reader that not only is something happening, but that something's going to happen and it all matters intensely handle viewpoint shifts, flashbacks, and other radical jumps in your storyline weave plots with subplots get ready for and write your Big Scenes balance scene and summary narration to produce good pacing handle the extremes of melodrama by "faking out" your readers—making them watch your right hand while your left hand is doing something sneaky form subtle patterns with mirror characters and echoing incidents choose the best type of ending—linear or circular, happy or downbeat, or (with caution!) a trick ending Whether your fiction is short or long, subtle or direct, you'll learn to build strong plots that drive compelling, unforgettable stories your readers will love.
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Book
Elements of Fiction Writing - Description
by Monica Wood
Description is most powerful when it's visible, aural, tactile. Make your descriptions fresh and they'll move your story forward, imbue your work with atmosphere, create that tang of feeling that editors cry for and readers crave. Monica Wood helps you squeeze the greatest flavor from the language. She segments description like an orange, separating its slices to let you sample each one. You'll learn about: Detail, and how you can use description to awaken the reader's senses of touch, taste, hearing, smell and sight Plot, from advancing story using only relevant description—and how to edit out sluggish, reader-stopping writing Style, and the use of description to create a mood that matches your story's content Point of view, how selecting omniscient, first person or third person limited narrative influences the descriptive freedom you have Creating original word depictions of people, animals, places, weather and movement Wood teaches by example, developing stories with characters in various situations, to show you how you can apply description techniques. You'll also see samples of work by such noted writers as Mark Helprin, Anne Tyler and Raymond Carver. And you'll find the dos and don'ts, lists and descriptive alternatives to common verbs and nouns, and tips for editing your work.
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Book
Elements of Fiction Writing - Conflict, Action & Suspense
by William Noble
What makes a book a page-turner? How do you grab your readers right from the start and hold them through the last sentence? How do you make your plot twist and turn and keep the action moving without losing continuity? You do it by generating drama and developing it using conflict, action and suspense. You make your reader burn to know what's going to happen next. You create tension...and build it...to the breaking point. William Noble shows you how to intensify that pressure throughout your story. You'll learn exactly what constitutes conflict, action and suspense, how they relate to other important ingredients in your story, and - perhaps most important - how to manipulate them. Through thorough, step-by-step instruction, you'll learn how to... set the stage with techniques and devices that enhance drama introduce suspense from the very beginning of your story build suspense through cliff-hangers, dialogue, mood, character development, point of view, subtlety and indirection, and time and place bring all that conflict, action and suspense to a gripping conclusion There are all sorts of ways to create tension in your prose - from using adjectives and nouns that drip with imagery to making quick scene cuts and transitions to accelerating the pace. Learn them here. Then use them, and your story will plunge your readers into a river of worry...and the current will carry them to The End.
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Book
The Writer's Idea Workshop
by Jack Heffron
This volume draws on the success of its idea generating predecessor "The Writer's Idea Book" and takes readers to the next step--assessing their ideas and growing them into finished pieces.
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