English Literature Part II

The world’s most famous work of horror fiction: a devastating exploration of the limits of human creativity. Nominated as one of America’s best-loved novels by PBS’s The Great American Read Mary Shelley's timeless gothic novel presents the epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror. Based on the third edition of 1831, this Penguin Classics edition, with an introduction and notes by Maurice Hindle, contains all the revisions Mary Shelley made to her story, as well as her 1831 introduction and Percy Bysshe Shelley’s preface to the first edition. It also includes as appendices a select collation of the texts of 1818 and 1831 together with "A Fragment" by Lord Byron and Dr John Polidori’s "The Vampyre: A Tale." For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Edited by Joan New and Melvyn New.

Bram Stoker's peerless tale of desperate battle against a powerful, ancient vampire When Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, he makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England: a ship runs aground on the shores of Whitby, its crew vanished; beautiful Lucy Westenra slowly succumbs to a mysterious, wasting illness, her blood drained away; and the lunatic Renfield raves about the imminent arrival of his 'master'. In the ensuing battle of wills between the sinister Count and a determined group of adversaries - led by the intrepid vampire hunter Abraham van Helsing - Bram Stoker created a masterpiece of the horror genre, probing into questions of identity, sanity and the dark corners of Victorian sexuality and desire. For this completely updated edition, Maurice Hindle has revised his introduction, list of further reading and notes, and added two appendices: Stoker's essay on censorship and his interview with Winston Churchill, both published in 1908. Christopher Frayling's preface discusses the significance and the influences that contributed to his creation of the Dracula myth. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

"When Trollope returned to England from the colonies in 1872 he was horrified by the immorality and dishonesty he found. In a fever of indignation he sat down to write The Way We Live Now, his longest novel. Nothing escaped the satirist's whip: politics, finance, the aristocracy, the literary world, gambling, sex, 'the intrigues of girls who want to get married ... the luxury of youngmen who prefer to remain single ... the pufing propensities of authors who desire to cheat the public into buying their volumes'. In this world of bribes and vendettas, swindling and suicide, in which heiresses are won like gambling stakes. Trollope's characters embody all the vices: Lady Carbury, a 43-year-old coquette, 'false form head to foot'; her son Felix, with 'the instincts of a horse, ont approaching the higher sympathies of a dog'; and Melmotte, the colossal figure who dominates the book, a 'horrid, big, rich scoundrel ... a bloated swindler ... a vile city ruffian'. At first savagely reviewed, The Way We Live Now has since emerged as Trollope's masterpiece and the most admired of his works."--Back cover.

Mrs. Dalloway is the portrait of a single day in a woman's life.