Family Dynamics in Great Theatre Plays

Explore the complexities of family dynamics in great theatre plays. From Lorraine Hansberry's *A Raisin in the Sun* to Arthur Miller's *Death of a Salesman*, discover powerful dramas about struggle, ambition, and the ties that bind—and break—families.

'Night, mother Cover
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'Night, mother

 

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All my sons Cover
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All my sons

 

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Lost in Yonkers Cover
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Lost in Yonkers

 

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Fences Cover
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Fences

 

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The piano lesson Cover
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The piano lesson

 

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O'Neill

 

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Death of a Salesman Cover
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Death of a Salesman

by Arthur Miller

The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room. "By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times "So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time
A Raisin in the Sun Cover
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A Raisin in the Sun

by Lorraine Hansberry

"Never before, in the entire history of the American theater, has so much of the truth of Black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959. This edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff. Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of Black America—and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun." "The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic."
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A view from the bridge Cover
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A view from the bridge

 

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The Subject Was Roses (A Play in Two Acts) Cover
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The Subject Was Roses (A Play in Two Acts)

 

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The Glass Menagerie Cover
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The Glass Menagerie

 

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Cat on a hot tin roof

 

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Jitney Cover
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Jitney

 

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A delicate balance Cover
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A delicate balance

 

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Buried child Cover
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Buried child

 

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The Price Cover
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The Price

 

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The first breeze of summer Cover
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The first breeze of summer

 

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