Great Russian Fiction

Explore the greatest Russian fiction books, from Tolstoy to Dostoevsky. Discover classic and modern masterpieces that define Russian literature's depth and brilliance.

Anna Karenin Cover
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Anna Karenin

by graf Leo Tolstoy

A beautiful, passionate Russian woman escapes the restrictions and boredom of her marriage through a love affair with a charming soldier
Eugene Onegin Cover
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Eugene Onegin

by Aleksandr Sergeevich Pushkin

Distinguished by James E. Falen's masterful use of contemporary American English and handling of rhyme and meter, this new translation of Alexander Pushkin's verse novel ably provides English readers with the chance to experience the work of the poet Russians regard as the fountainhead of their literature. The introduction includes Falen's discussion of how his translation compares with those of his predecessors and a general analysis of the poem. Nearly one hundred notes annotate the text."
Dead Souls Cover
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Dead Souls

by NikolaÄ­ VasilĘąevich GogolĘą

Few literary works have been so variously interpreted as Nikolai Gogol's enduring comic masterpiece, Dead Souls.
The Essential Tales of Chekhov Cover
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The Essential Tales of Chekhov

by Anton Chekhov

Of the two hundred stories that Anton Chekhov wrote, the twenty stories that appear in this extraordinary collection were personally chosen by Richard Ford--an accomplished storyteller in his own right. Included are the familiar masterpieces--"The Kiss," "The Darling," and "The Lady with the Dog"--as well as several brilliant lesser-known tales such as "A Blunder," "Hush!," and "Champagne." These stories, ordered from 1886 to 1899, are drawn from Chekhov's most fruitful years as a short-story writer. A truly balanced selection, they exhibit the qualities that make Chekhov one of the greatest fiction writers of all time: his gift for detail, dialogue, and humor; his emotional perception and compassion; and his understanding that life's most important moments are often the most overlooked. "The reason we like Chekhov so much, now at our century's end," writes Ford in his perceptive introduction, "is because his stories from the last century's end feel so modern to us, are so much of our own time and mind." Exquisitely translated by the renowned Constance Garnett, these stories present a wonderful opportunity to introduce yourself--or become reaquainted with--an artist whose genius and influence only increase with every passing generation.
A Hero of Our Time Cover
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A Hero of Our Time

by Mikhail Lermontov

In its adventurous happenings–its abductions, duels, and sexual intrigues–A Hero of Our Time looks backward to the tales of Sir Walter Scott and Lord Byron, so beloved by Russian society in the 1820s and ’30s. In the character of its protagonist, Pechorin–the archetypal Russian antihero–Lermontov’s novel looks forward to the subsequent glories of a Russian literature that it helped, in great measure, to make possible. This edition includes a Translator’s Foreword by Vladimir Nabokov, who translated the novel in collaboration with his son, Dmitri Nabokov.
We Cover
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We

by Yevgeny Zamyatin

Before Brave New World... Before 1984...There was... WE In the One State of the great Benefactor, there are no individuals, only numbers. Life is an ongoing process of mathematical precision, a perfectly balanced equation. Primitive passions and instincts have been subdued. Even nature has been defeated, banished behind the Green Wall. But one frontier remains: outer space. Now, with the creation of the spaceship Integral, that frontier -- and whatever alien species are to be found there -- will be subjugated to the beneficent yoke of reason. One number, D-503, chief architect of the Integral, decides to record his thoughts in the final days before the launch for the benefit of less advanced societies. But a chance meeting with the beautiful 1-330 results in an unexpected discovery that threatens everything D-503 believes about himself and the One State. The discovery -- or rediscovery -- of inner space...and that disease the ancients called the soul. A page-turning SF adventure, a masterpiece of wit and black humor that accurately predicted the horrors of Stalinism, We is the classic dystopian novel. Its message of hope and warning is as timely at the end of the twentieth century as it was at the beginning.
The Gulag Archipelago, 1918-1956 Cover
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The Gulag Archipelago, 1918-1956

by Aleksandr I. Solzhenitsyn

The Gulag Archipelago is Solzhenitsyn's attempt to compile a literary-historical record of the vast system of prisons and labor camps that came into being shortly after the Bolsheviks seized power in Russia in 1917 and that underwent an enormous expansion during the rule of Stalin from 1924 to 1953. Various sections of the three volumes describe the arrest, interrogation, conviction, transportation, and imprisonment of the Gulag's victims by Soviet authorities over four decades. The work mingles historical exposition and Solzhenitsyn's own autobiographical accounts with the voluminous personal testimony of other inmates that he collected and committed to memory during his imprisonment.Upon publication of the first volume of The Gulag Archipelago, Solzhenitsyn was immediately attacked in the Soviet press. Despite the intense interest in his fate that was shown in the West, he was arrested and charged with treason on February 12, 1974, and was exiled from the Soviet Union the following day.
The Idiot Cover
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The Idiot

by Fyodor Dostoyevsky

Revealing Dostoevsky's acute artistic sense and penetrating psychological insight, this new translation is meticulously faithful to the original.
The Master and Margarita Cover
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The Master and Margarita

by Mikhail Bulgakov

Originally published: Dana Point, Calif.: Ardis, 1995.
War and Peace Cover
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War and Peace

by graf Leo Tolstoy

Presents the classical epic of the Napoleonic Wars and their effects on four Russian families