Little Known Masterpieces
Discover hidden literary gems with our curated list of little-known masterpieces. Explore these underrated books that deserve a spot on every reader's shelf.
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Mardi Gras in the Moment
by Jason Bentsman
The world has waited decades for a new anti-hero in American fiction, a character who prophesizes the pettiness of American social life at the beginning of the twenty-first century. With Conrad Greyman, a social visionary arrives to illuminate the inequities and shallowness of our social lives now, as the Beats did for their generation.In a musty dorm room at an elite college in upstate New York sleeps Conrad Greyman. He sleeps all the time, in fact. Conrad is a casualty of postmodern malaise and bears hidden wounds he doesnt understand.Mardi Gras tells the fantastic story of Conrads spontaneous trip to the great Southern festival. He finds there, amid the infernal chaos of neon lights and Bourbon, a chance for unlikely redemption. Conrads journey through the mad streets of New Orleans becomes a modern hero-quest, and New Orleans an epic landscape. Conrads adventure is populated by holy fools who come to his aid, menacing frat boys, magical beads, and unadulterated American decadence. In the balance hangs the fate of an inward-looking soul trying to make his way through a fractured, carnivalistic world.
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Nightwood
by Djuna Barnes
Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (Times Literary Supplement). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another persona woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.
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A Moveable Feast
by Ernest Hemingway
“There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other.” —Ernest Hemingway, A Moveable Feast Ernest Hemingway’s classic memoir of Paris in the 1920s remains one of his most beloved works. Filled with tender memories of his first wife Hadley and their son Jack; irreverent portraits of literary luminaries such as F. Scott Fitzgerald and Gertrude Stein; and insightful recollections of his own early experiments with his craft, A Moveable Feast brilliantly evokes the exuberant mood of Paris after World War I and the youthful spirit, unbridled creativity, and unquenchable enthusiasm that Hemingway himself epitomized. It is an elegy to a remarkable group of expatriates and a testament to the risks and rewards of the writerly life.
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The Love of the Last Tycoon
by F. Scott Fitzgerald
Depicts the inner-workings of the Hollywood movie industry and its impact on the fabric of American life.