My desert island books part 16
Explore part 16 of my desert island books list, featuring timeless classics like *The Count of Monte Cristo* and *Middlemarch*, alongside gripping noir fiction, biographies, and literary gems from Dumas to Brautigan.
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Richard Brautigan's A Confederate General from Big Sur, Dreaming of Babylon, and The Hawkline Monster
by Richard Brautigan
Three books in the manner of their original editions.
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Journey to the End of the Night
by Louis-Ferdinand CĂ©line
A nihilistic petit-bougeois named Bardamu opens his medical practice in the slums of suburban Paris.
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Sexual Personae
by Camille Paglia
The fiery, provocative, and unparalleled work of feminist art criticism that launched the exceptional career of one of our most important public intellectuals—"a remarkable book, at once outrageous and compelling, fanatical and brilliant.... One must be awed by [Paglia's] vast energy, erudition and wit" (The Washington Post). Is Emily Dickinson “the female Sade”? Is Donatello’s David a bit of pedophile pornography? What is the secret kinship between Byron and Elvis Presley, between Medusa and Madonna? How do liberals and feminists—as well as conservatives—fatally misread human nature? This audacious and omnivorously learned work of guerrilla scholarship offers nothing less than a unified-field theory of Western culture, high and low, since Egyptians invented beauty—making a persuasive case for all art as a pagan battleground between male and female, form and chaos, civilization and daemonic nature. With 47 photographs.
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Crime Novels: American Noir of the 1930s & 40s (LOA #94)
by Robert Polito
Presents six early classics of American noir fiction: James M. Cain's The Postman Always Rings Twice, Edward Anderson's Thieves Like Us, Kenneth Fearing's The Big Clock, William Lindsay Gresham's Nightmare Alley, Cornell Woolrich's I Married a Dead Man, and Horace McCoy's They Shoot Horses, Don't They'. A companion volume collects works of the 1950s. Annotation copyrighted by Book News, Inc., Portland, OR
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Crime Novels
by Robert Polito
This adventurous volume, with its companion devoted to the 1930s and 40s, presents a rich vein of modern American writing too often neglected in mainstream literary histories. Evolving out of the terse and violent hardboiled style of the pulp magazines, noir fiction expanded over the decades into a varied and innovative body of writing. Tapping deep roots in the American literary imagination, the novels in this volume explore themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force, they create a dark and violent mythology out of the most commonplace elements of modern life. The raw power of their vernacular style has profoundly influenced contemporary American culture and writing. Far from formulaic, they are ambitious works which bend the rules of genre fiction to their often experimental purposes.
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Nicholas and Alexandra
by Robert K. Massie
A “magnificent and intimate” (Harper’s) modern classic of Russian history, the spellbinding story of the love that ended an empire—from the Pulitzer Prize–winning author of Peter the Great, The Romanovs, and Catherine the Great “A moving, rich book . . . [This] revealing, densely documented account of the last Romanovs focuses not on the great events . . . but on the royal family and their evil nemesis. . . . The tale is so bizarre, no melodrama is equal to it.”—Newsweek In this commanding book, New York Times bestselling author Robert K. Massie sweeps readers back to the extraordinary world of the Russian empire to tell the story of the Romanovs’ lives: Nicholas’s political naïveté, Alexandra’s obsession with the corrupt mystic Rasputin, and little Alexis’s brave struggle with hemophilia. Against a lavish backdrop of luxury and intrigue, Massie unfolds a powerful drama of passion and history—the story of a doomed empire and the death-marked royals who watched it crumble.