Renaissance Literature
Explore the finest Renaissance literature with our curated list of classic books. Discover timeless works by Shakespeare, Dante, and more that defined an era of artistic rebirth.
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The Prince
by Niccolo Machiavelli
Here is the world's most famous master plan for seizing and holding power. Astonishing in its candor The Prince even today remains a disturbingly realistic and prophetic work on what it takes to be a prince . . . a king . . . a president. When, in 1512, Machiavelli was removed from his post in his beloved Florence, he resolved to set down a treatise on leadership that was practical, not idealistic. In The Prince he envisioned would be unencumbered by ordinary ethical and moral values; his prince would be man and beast, fox and lion. Today, this small sixteenth-century masterpiece has become essential reading for every student of government, and is the ultimate book on power politics.

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Orlando Furioso
by Lodovico Ariosto
"Ariosto's Orlando Furioso (1532) is the culmination of the chivalric legends of Charlemagne and the Saracen invasion of France, a brilliantly witty parody of the medieval romances, and a fitting monument to the court society of the Italian Renaissance which gave it birth. In a kaleidoscope of scenes and emotions, three principal stories are developed: the love of Orlando for Angelica; the war between the Franks and the Saracens; and the love of Ruggiero, a Saracen, for Bradamant, a Christian. Enlivening and unifying the whole work is the vital personality of the author, endlessly teasing his readers and dropping casual asides about his contemporaries. Though highly serious in purpose and sophisticated in design, Orlando Furioso displays to the full Ariostro's remarkable sense of the absurd. This unabridged prose translation faithfully captures the narrative entire and renders meaning in its lightest shadings."--Back cover
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The Lives of the Artists
by Giorgio Vasari
Packed with facts, attributions, and entertaining anecdotes about his contemporaries, Vasari's collection of biographical accounts also presents a highly influential theory of the development of Renaissance art. Beginning with Cimabue and Giotto, who represent the infancy of art, Vasari considers the period of youthful vigour, shaped by Donatello, Brunelleschi, Ghiberti, and Masaccio, before discussing the mature period of perfection, dominated by the titanic figures of Leonardo, Raphael, and Michelangelo. This specially commissioned translation contains thirty-six of the most important lives as well as an introduction and explanatory notes. - ;Packed with facts, attributions, and entertaining anecdotes about his contemporaries, Vasari's collection of biographical accounts also presents a highly influential theory of the development of Renaissance art. Beginning with Cimabue and Giotto, who represent the infancy of art, Vasari considers the period of youthful vigour, shaped by Donatello, Brunelleschi, Ghiberti, and Masaccio, before discussing the mature period of perfection, dominated by the titanic figures of Leonardo, Raphael, and Michelangelo. This specially commissioned translation contains thirty-six of the most important lives as well as an introduction and explanatory notes. - ;Includes: Cimabue; Giotto; Duccio; Luca della Robbia; Paolo Uccello; Ghiberti; Masaccio; Filippo Brunelleschi; Donatello; Piero della Francesca; Fra Angelico; Fra Filippo Lippi; Domenico Ghirlandaio; Sandro Botticelli; Andrea del Verrocchio; Mantegna; Leonardo da Vinci; Giorgione; Raphael; Titian; Michelangelo -
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Don Quixote
by Miguel de Cervantes
Edith Grossman's definitive English translation of the Spanish masterpiece. Widely regarded as the world's first modern novel, and one of the funniest and most tragic books ever written, Don Quixote chronicles the famous picaresque adventures of the noble knight-errant Don Quixote of La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. Unless you read Spanish, you've never read Don Quixote. "Though there have been many valuable English translations of Don Quixote, I would commend Edith Grossman's version for the extraordinarily high quality of her prose. The Knight and Sancho are so eloquently rendered by Grossman that the vitality of their characterization is more clearly conveyed than ever before. There is also an astonishing contextualization of Don Quixote and Sancho in Grossman's translation that I believe has not been achieved before. The spiritual atmosphere of a Spain already in steep decline can be felt throughout, thanks to her heightened quality of diction. Grossman might be called the Glenn Gould of translators, because she, too, articulates every note. Reading her amazing mode of finding equivalents in English for Cervantes's darkening vision is an entrance into a further understanding of why this great book contains within itself all the novels that have followed in its sublime wake." From the Introduction by Harold Bloom Miguel de Cervantes was born on September 29, 1547, in Alcala de Henares, Spain. At twenty-three he enlisted in the Spanish militia and in 1571 fought against the Turks in the battle of Lepanto, where a gunshot wound permanently crippled his left hand. He spent four more years at sea and then another five as a slave after being captured by Barbary pirates. Ransomed by his family, he returned to Madrid but his disability hampered him; it was in debtor's prison that he began to write Don Quixote. Cervantes wrote many other works, including poems and plays, but he remains best known as the author of Don Quixote. He died on April 23, 1616.
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The Faerie Queene
by Edmund Spenser
‘Great Lady of the greatest Isle, whose light Like Phoebus lampe throughout the world doth shine’ The Faerie Queene was one of the most influential poems in the English language. Dedicating his work to Elizabeth I, Spenser brilliantly united Arthurian romance and Italian renaissance epic to celebrate the glory of the Virgin Queen. Each book of the poem recounts the quest of a knight to achieve a virtue: the Red Crosse Knight of Holinesse, who must slay a dragon and free himself from the witch Duessa; Sir Guyon, Knight of Temperance, who escapes the Cave of Mammon and destroys Acrasia’s Bowre of Bliss; and the lady-knight Britomart’s search for her Sir Artegall, revealed to her in an enchanted mirror. Although composed as a moral and political allegory, The Faerie Queene’s magical atmosphere captivated the imaginations of later poets from Milton to the Victorians. This edition includes the letter to Raleigh, in which Spenser declares his intentions for his poem, the commendatory verses by Spenser’s contemporaries and his dedicatory sonnets to the Elizabethan court, and is supplemented by a table of dates and a glossary For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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