Screenwriting :: TOP 10 books

Discover the top 10 essential screenwriting books, from Robert McKee's *Story* to Christopher Vogler's *The Writer's Journey*. Perfect for aspiring and professional screenwriters seeking expert craft advice, narrative structure, and script development techniques.

Story Cover
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Story

by Robert McKee

Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.
The complete idiot's guide to screenwriting Cover
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The complete idiot's guide to screenwriting

 

No summary available.
Life or Movie Cover
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Life or Movie

 

No summary available.
Screenwriting Updated Cover
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Screenwriting Updated

 

No summary available.
Understanding Film Texts Cover
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Understanding Film Texts

 

No summary available.
Alternative scriptwriting Cover
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Alternative scriptwriting

 

No summary available.
The Writer's Journey Cover
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The Writer's Journey

by Christopher Vogler

Shows how writers can use mythic structure to give coherence and weight to both narrative fiction and nonfiction.
Making a good script great Cover
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Making a good script great

 

No summary available.
Screenwriting from the soul Cover
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Screenwriting from the soul

 

No summary available.
Critical dictionary of film and television theory Cover
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Critical dictionary of film and television theory

 

No summary available.
Grammar of the film language Cover
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Grammar of the film language

 

No summary available.
Lew Hunter's screenwriting 434 Cover
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Lew Hunter's screenwriting 434

 

No summary available.
The screenwriter's bible Cover
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The screenwriter's bible

 

No summary available.
What they don't teach you at film school Cover
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What they don't teach you at film school

 

No summary available.
Seven Cover
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Seven

 

No summary available.
Titanic Cover
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Titanic

 

No summary available.
The Truman show Cover
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The Truman show

 

No summary available.
The Beach Cover
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The Beach

 

No summary available.
Life: The Movie Cover
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Life: The Movie

by Neal Gabler

The story of how our bottomless appetite for novelty, gossip, and melodrama has turned everything—news, politics, religion, high culture—into one vast public entertainment. Neal Gabler calls them "lifies," those blockbusters written in the medium of life that dominate the media and the national conversation for weeks, months, even years: the death of Princess Diana, the trial of O.J. Simpson, Kenneth Starr vs. William Jefferson Clinton. Real Life as Entertainment is hardly a new phenomenon, but the movies, and now the new information technologies, have so accelerated it that it is now the reigning popular art form. How this came to pass, and just what it means for our culture and our personal lives, is the subject of this witty, concerned, and sometimes eye-opening book. "A thoughtful, in places chilling, account of the way entertainment values have hollowed out American life." --The New York Times Book Review
High Concept Cover
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High Concept

 

No summary available.
High concept Cover
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High concept

 

No summary available.
Psychology for screenwriters Cover
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Psychology for screenwriters

 

No summary available.