Stendhalism: an aesthetic philosophy of art music and love

Discover the aesthetic philosophy of Stendhalism through curated books on art, music, and love—featuring Stendhal’s timeless classics, The Red and the Black and Love.

Stendhal Cover
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Stendhal

 

No summary available.
Memoirs of an egoist Cover
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Memoirs of an egoist

 

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The life of Henry Brulard Cover
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The life of Henry Brulard

 

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Love Cover
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Love

by Stendhal

In 1818, when he was in his mid-thirties, Stendhal met and fell passionately in love with the beautiful Mathilde Dembowski. She, however, was quick to make it clear that she did not return his affections, and in his despair he turned to the written word to exorcise his love and explain his feelings. The result is an intensely personal dissection of the process of falling - and being - in love: a unique blend of poetry, anecdote, philosophy, psychology and social observation. Bringing together the conflicting sides of his nature, the deeply emotional and the coolly analytical, Stendhal created a work that is both acutely personal and universally applicable.
Stendhal and the arts. Cover
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Stendhal and the arts.

 

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Necklines Cover
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Necklines

 

No summary available.
Vie de Rossini Cover
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Vie de Rossini

 

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Donizetti Cover
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Donizetti

 

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Bellini Cover
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Bellini

 

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Napoléon Cover
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Napoléon

 

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The Red and the Black Cover
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The Red and the Black

by Stendhal

Charts the rise and fall of an ambitious young social climber in a cruel, monarchical society Handsome, ambitious Julien Sorel is determined to rise above his humble provincial origins. Soon realizing that success can only be achieved by adopting the subtle code of hypocrisy by which society operates, he begins to achieve advancement through deceit and self-interest. His triumphant career takes him into the heart of glamorous Parisian society, along the way conquering the gentle, married Madame de Rênal, and the haughty Mathilde. But then Julien commits an unexpected, devastating crime—and brings about his own downfall. The Red and the Black is a lively, satirical portrayal of French society after Waterloo, riddled with corruption, greed and ennui, and Julien—the cold exploiter whose Machiavellian campaign is undercut by his own emotions—is one of the most intriguing characters in European literature. Roger Gard's fine translation remains faithful to the natural, conversational tone of the original, while his introduction elucidates the complexities of Julien's character. This edition also contains a chronology, further reading and an appendix on Stendhal's use of epigraphs. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The charterhouse of Parma Cover
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The charterhouse of Parma

 

No summary available.