The Brothers Quay
Explore the mesmerizing world of The Brothers Quay with this curated list of their best books. Dive into their surreal artistry and unique storytelling in stop-motion animation and film.
Book
Jakob von Gunten
by Robert Walser
The Swiss writer Robert Walser is one of the quiet geniuses of twentieth-century literature. Largely self-taught and altogether indifferent to worldly success, Walser wrote a range of short stories, essays, as well as four novels, of which Jakob von Gunten is widely recognized as the finest. The book is a young man's inquisitive and irreverent account of life in what turns out to be the most uncanny of schools. It is the work of an outsider artist, a writer of uncompromising originality and disconcerting humor, whose beautiful sentences have the simplicity and strangeness of a painting by Henri Rousseau.
Book
The Fantastic
by Tzvetan Todorov
In The Fantastic, Tzvetan Todorov seeks to examine both generic theory and a particular genre, moving back and forth between a poetics of the fantastic itself and a metapoetics or theory of theorizing, even as he suggest that one must, as a critic, move back and forth between theory and history, between idea and fact. His work on the fantastic is indeed about a historical phenomenon that we recognize, about specific works that we may read, but it is also about the use and abuse of generic theory. As an essay in fictional poetics, The Fantastic is consciously structuralist in its approach to the generic subject. Todorov seeks linguistic bases for the structural features he notes in a variety of fantastic texts, including Potocki's The Sargasso Manuscript, Nerval's Aurélia, Balzac's The Magic Skin, the Arabian Nights, Cazotte's Le Diable Amoureux, Kafka's The Metamorphosis, and tales by E. T. A. Hoffman, Charles Perrault, Guy de Maupassant, Nicolai Gogol, and Edgar A. Poe.
Book
The Tales of Hoffmann
by Ernst Theodor Hoffman
A lawyer by day and a creator of a world of fantasy by night, Hoffman (1776-1822) lived a Jekyll and Hyde existence. Many of the characters in his stories are subject to a similar split personality. The duality of his nature is frequently reflected in some of his characters—Cardillac the goldsmith in Mademoiselle de Scudéry and Nathaniel in The Sandman, for example. Cardillac is a virtuous, industrious man by day but a violent criminal at night, while Nathaniel, obsessed by a childhood fantasy, is driven to madness and cruelty. These tales can be read on several levels: as an expression of the concerns of the Romantic era, as impressive examples of German Romantic literature and as exciting works of fiction made all the more extraordinary by their concern with the supernatural and the bizarre.
