Time Travelers and Other Misplaced Wives

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When Elspeth Noblin dies of cancer, she leaves her London apartment to her twin nieces, Julia and Valentina. These two American girls never met their English aunt, only knew that their mother, too, was a twin, and Elspeth her sister. Julia and Valentina are semi-normal American teenagers--with seemingly little interest in college, finding jobs, or anything outside their cozy home in the suburbs of Chicago, and with an abnormally intense attachment to one another. They are twenty. . The girls move to Elspeth's flat, which borders Highgate Cemetery in London. They come to know the building's other residents. There is Martin, a brilliant and charming crossword puzzle setter suffering from crippling Obsessive Compulsive Disorder; Marjike, Martin's devoted but trapped wife; and Robert, Elspeth's elusive lover, a scholar of the cemetery. As the girls become embroiled in the fraying lives of their aunt's neighbors, they also discover that much is still alive in Highgate, including--perhaps--their aunt, who can't seem to leave her old apartment and life behind.. Niffenegger weaves a captivating story in Her Fearful Symmetry about love and identity, about secrets and sisterhood, and about the tenacity of life--even after death..

In the year 2035 it's cool to be bisexual - or at least pretend to be - and cool to be young, but to be both and on holiday in France is the coolest of all. Zorn and family are at The Anders Hotel, in the little port of Roknor, whose main attraction in daytime is its crowded beach, and in the evening its many clubs. Rejoicing in recently turning sixteen, Zorn has ten days to find Holiday Love, and isn't helped by the presence of Kevin, a coarse and violent homophobe. But despite their differences, neither can escape life's challenges, and find to their dismay that our joys and sorrows come mixed and inseparable. The mid twenty-first century is a time of looking back, a time laden with much nostalgia for the past, but little money. The Great World Depression of the 2020s has seen to that. It is a time of thumbing through the music, films and fashions of the last century, a time of imitating the lost Golden Age of the 1900s. It is also the era of core language, the final perfection of politically correct speech avoiding the use of such hideously offensive words as "he" and "she," with all their built-in stereotypes, all their dangerous assumptions about gender roles and sexuality. Yet it is a time when, though all has changed, nothing has changed. The sea still surges to the distant horizon, the waves still crash to the beach, and on these daily washed sands new people act out the ancient dramas afresh. Zorn is a story of romance, adventure and coming of age in this post-apocalyptic society.

The author of the "New York Times" bestseller "The Time Traveler's Wife" returns with the much-anticipated follow-up to "The Three Incestuous Sisters." This novel follows the dreamlike journey of an alchemist's daughter who turns herself into a moth and flees to the garden of a charming butterfly collector named Napoleon Bonaparte.

Kurt Vonnegut’s masterpiece, Slaughterhouse-Five is “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time). Selected by the Modern Library as one of the 100 best novels of all time • One of The Atlantic’s Great American Novels of the Past 100 Years Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.

Until the phone calls came at three o'clock on a November morning, the Golds and their neighbors, the Hartes, had been inseparable. It was no surprise to anyone when their teenage children, Chris and Emily, began showing signs that their relationship was moving beyond that of lifelong friends. But now seventeen-year-old Emily is dead—shot with a gun her beloved and devoted Chris pilfered from his father's cabinet as part of an apparent suicide pact—leaving two devastated families stranded in the dark and dense predawn, desperate for answers about an unthinkable act and the children they never really knew. From New York Times bestselling author Jodi Picoult—one of the most powerful writers in contemporary fiction—comes a riveting, timely, heartbreaking, and terrifying novel of families in anguish and friendships ripped apart by inconceivable violence.