Vidia Naipaul:Caribbean Nobel Prize Winner

Explore the literary legacy of Vidia Naipaul, the Caribbean Nobel Prize-winning author. Discover his acclaimed books that shaped post-colonial literature and global storytelling.

A House for Mr. Biswas Cover
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A House for Mr. Biswas

by V. S. Naipaul

From the Nobel Prize-winning author: an unforgettable comedy of manners inspired by the author's father that has been hailed as one of the twentieth century's finest novels. “A marvelous prose epic that matches the best nineteenth-century novels for richness of comic insight and final, tragic power.” —Newsweek In his forty-six short years, Mr. Mohun Biswas has been fighting against destiny to achieve some semblance of independence, only to face a lifetime of calamity. Shuttled from one residence to another after the drowning death of his father, for which he is inadvertently responsible, Mr. Biswas yearns for a place he can call home. But when he marries into the domineering Tulsi family on whom he indignantly becomes dependent, Mr. Biswas embarks on an arduous—and endless—struggle to weaken their hold over him and purchase a house of his own. A heartrending, dark yet comedic novel, A House for Mr. Biswas masterfully evokes a man’s quest for autonomy against an emblematic post-colonial canvas.
A Bend in the River Cover
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A Bend in the River

by V. S. Naipaul

Widely hailed as the Nobel Prize-winning author’s greatest work, this novel takes us into the life of a young Indian man who moves to an isolated town at the bend of a great river in a newly independent African nation. • "Brilliant." —The New York Times In this haunting masterpiece of postcolonial literature, short-listed for the Booker Prize in 1979, Naipaul gives us a convincing and disturbing vision of a place caught between the dangerously alluring modern world and its own tenacious past. Salim is doubly an outsider in his new home—an unnamed country that resembles the Congo—by virtue of his origins in a community of Indian merchants on the coast of East Africa. Uncertain of his future, he has come to take possession of a local trading post he has naively purchased sight unseen. But what Salim discovers on his arrival is a ghost town, reduced to ruins in the wake of the recently departed European colonizers and in the process of being reclaimed by the surrounding forest. Salim struggles to build his business against a backdrop of growing chaos, conflict, ignorance, and poverty. His is a journey into the heart of Africa, into the same territory explored by Joseph Conrad’s Heart of Darkness nearly eighty years earlier—but witnessed this time from the other side of the tragedy of colonization. Salim discovers that the nation’s violent legacy persists, through the rise of a dictator who calls himself the people’s savior but whose regime is built on fear and lies. "Confirms Naipaul's position as one of the best writers now at work." —Newsweek
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The Mystic Masseur

by V. S. Naipaul

The Nobel Prize winner's first novel traces the unlikely career of Ganesh Ramsumair, a failed schoolteacher and impecunious village masseur who in time becomes a revered mystic and the most beloved politician in 1940s Trinidad.
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Among the Believers

by V. S. Naipaul

The Nobel Prize-winning author gives us – on the basis of his own intensive seventeen month journey across the Asian continent – an unprecedented revelation of the Islamic world. • “A brilliant report…. A book of scathing inquiry and judgment, whose tragic power is being continually reinforced by current events” (Newsweek). With all the narrative power and intellectual authority that have distinguished his earlier books and won him international acclaim (“There can hardly be a writer alive who surpasses him” – Irving Howe, The New York Times Book Review), Naipaul explores the life, the culture, the ferment inside the nations of Islam – in a book that combines the fascinations of the great works of travel literature with the insights of a uniquely sharp, original, and idiosyncratic political mind. He takes us into four countries in the throes of “Islamization” – countries that, in their ardor to build new societies based entirely on the fundamental laws of Islam, have violently rejected the “materialism” of the technologically advanced nations that have long supported them. He brings us close to the people of Islam – how they live and work, the role of faith in their lives, how they see their place in the modern world.
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Miguel Street

 

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In a Free State Cover
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In a Free State

by V. S. Naipaul

No writer has rendered our boundariless, post-colonial world more acutely or prophetically than V. S. Naipaul, or given its upheavals such a hauntingly human face. A perfect case in point is this riveting novel, a masterful and stylishly rendered narrative of emigration, dislocation, and dread, accompanied by four supporting narratives. In the beginning it is just a car trip through Africa. Two English people—Bobby, a civil servant with a guilty appetite for African boys, and Linda, a supercilious “compound wife”—are driving back to their enclave after a stay in the capital. But in between lies the landscape of an unnamed country whose squalor and ethnic bloodletting suggest Idi Amin’s Uganda. And the farther Naipaul’s protagonists travel into it, the more they find themselves crossing the line that separates privileged outsiders from horrified victims. Alongside this Conradian tour de force are four incisive portraits of men seeking liberation far from home. By turns funny and terrifying, sorrowful and unsparing, In A Free State is Naipaul at his best.
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